Terry Gallagher’s connection to the Pat Gallagher Memorial Australian 325mm Underhand Championship runs deep, rooted in both family legacy and community pride. The event, which carries his late father’s name, honours Pat Gallagher’s significant contributions to the timber industry in the Illawarra region.Pat owned a timber yard in Bombo Quarry for over 30 years, supplying industrial timber to coal mines and the surrounding areas. After Pat’s passing in 1990, Terry wanted to ensure his father’s legacy lived on and decided to sponsor a woodchopping event in his honour.For years, Terry has supported the Pat Gallagher Memorial at the Kiama Show, pouring his passion into making it one of the standout events of the woodchopping calendar. His generous donation of $2,500 for first place (part of a total prize pool exceeding $6,000) not only elevates the competition but also secures its position as an Australian Championship event. By meeting the Axemen’s Association's funding requirements and consistent lobbying by event steward Matt Downes, Kiama has been able to host this national title every year since securing it, making it a cornerstone of the show’s woodchopping program.Terry’s sponsorship reflects his belief in preserving traditions and celebrating the skills of Australia’s best axemen. The event draws competitors from across the country, including high-profile names like Laurence O’Toole and Brad Delosa, and brings national attention to the Kiama Show.For Terry, it’s not just about prize money, it’s about fostering community spirit and ensuring that both the sport and his father’s memory remain part of the local fabric.In Terry’s own words, “This event is about honouring my father’s legacy and giving back to a community that meant so much to him. Seeing the calibre of competitors, we attract and the excitement it brings to the crowd, it’s something I’ll always be proud to support.”Thanks to Terry’s unwavering dedication, the Pat Gallagher Memorial Australian 325mm Underhand Championship has become a celebrated tradition, a testament to family, community, and the enduring power of legacy.

Kiama’s MV SIGNA isn’t the only local boat restored and selected to appear at the Australian Wooden Boat Festival this year. The other, Wayfarer II, is also a local gem, having been painstakingly restored by Kiama’s Rick Scott-Murphy.At 79 years old, Rick has spent the last three years working tirelessly on Wayfarer II at Shellharbour Marina. In preparation for the festival, he has already sailed the boat all the way to Tasmania. The festival will be held from February 7-10, 2025, where both of Kiama's boats will be on display.“I bought it in 2021 as a project to restore it to its original condition. Over the last few years, I've made significant progress,” Rick says. “I live in Kiama, and when the Shellharbour Marina opened, it seemed like the perfect time to restore an old timber boat. It’s been at Shell Cove for the last two years, and just recently, I completed the journey down to Tasmania in preparation for the festival.”A seasoned sailor, Rick has always had a passion for boats and the sea. The marina’s opening made it possible for him to work on Wayfarer II regularly while maintaining easy access to the boat. Rick Scott-Murphy on the Wayfarer II. Source: Rick Scott-Murphy“I’m getting older, and it’s harder to get on and off boats that aren’t on a floating marina. Having the boat secured at Shellharbour, just 10 minutes from home, made all the difference.”Originally built in 1979 from a full New Zealand Kauri tree known for being used in construction for centuries. The Wayfarer II made its way from New Zealand to Port Cygnet in Tasmania before Rick purchased it without even seeing it in person.“I bought the boat during Covid, so I couldn't even see it. I had a marine surveyor who did a fabulous job with the marine survey and on the strength of that I bought the boat. I've never done that before in my life, but once they opened the borders I flew down to see what depth of folly I’d caused and it turned out to be everything I had hoped for,” says Rick.The restoration work has been extensive. While the hull was in good shape, the deck needed replacement, and Rick, with help of three skilled workers, tackled a long list of upgrades.“I replaced the standing rigging, added a new furler for the genoa, refurbished the electrics, installed new instruments, and upgraded the dinghy, safety lines, and davits. The boat is now seaworthy and ready for adventure,” says Rick.Rick in the drivers seat of the Wayfarer II. Source: Rick Scott-MurphyThe project has been a labor of love. Rick emphasises that while the craftsmanship of older boats is charming, it’s the sailing that truly fuels his passion.“I feel that my spirit is connected to the ocean. I've spent so many years sailing that when I step on a boat, unfurl the sails and feel the wind take over - it powers me. You can go anywhere in the world with the power of the wind and the water. It’s the most amazing feeling. I still get the same feeling that I got as a six year-old when I first sat in a small sailing dinghy and It's just an amazing feeling,” says Rick.Adding another layer of excitement, Rick is set to meet the original builder of Wayfarer II, Bruce Martin, in Tasmania. "I'm looking forward to showing Bruce his creation after all these years and seeing his reaction to how it’s been restored. I hope he’ll be as pleased as I am."The inside of the Wayfarer II. Source: Rick Scott-MurphyRick would also like to thank Robby Baard, Nino Ferraro, and Cos Kapousis for their invaluable help during the restoration process at Shellharbour Marina. All of them were young men who responded to a Facebook post Rick made on the Community Page, offering help in exchange for sailing lessons.The Bugle wishes both Wayfarer II and MV SIGNA the best of luck at the Australian Wooden Boat Festival. Both boats are sure to be crowd favorites, showcasing not only remarkable craftsmanship but the enduring spirit of Kiama’s boating community.

The returning boomerang is one of the most famous objects from the Indigenous Australian culture. ‘Marvellous’ George John Noble, whose Aboriginal name was Ooloogan, was a brilliant exponent of the art of the returning boomerang. For a time he lived at Minnamurra and toured the countryside performing at various venues. Here are CliveEmery’s memories of meeting the famous man at the Nowra Show in 1925.In 1925 Dad took Mother and I to see the Nowra Show. Dad enjoyed the local shows, and would meander among the exhibitors. He seemed to know most of them and greeted men dressed in suits and hats with waistcoats adorned with silver chains. A lot smoked pipes, or had the bowl of one protruding from their vest pocket.There was music and colour everywhere, and Dad wanted to watch the ring events, where some sixty horses performed before the judges and men in the ring wore dustcoats with ribbons hanging from their arms. After the judging they handed the ribbons to the judge and he fastened them round the neck of the winning horses. There was movement everywhere, with the ladies raising their ornamental parasols to shield the sun.It was by accident that I noticed an Aboriginal fellow sitting cross-legged on an old blanket just inside the Arris-railed fence circumnavigating the show-ring.Beside him lay an old sugar-bag tied with a frayed hempen rope, and at his feet lay an assortment of boomerangs, shaped and ornamented in a range of colours, mostly ochre and charcoal. The timber was a reddish colour and likely sourced locally. He was probably 50, it was hard to tell. His dark eyes twinkled beneath heavy brows and a bushy beard, now greying, covered the greater part of his face, but not the lines spreading from his eyes.His nose was broad and flat and the veins stood out on the hand that held a clay pipe, brought to his lips from time to time to draw contentedly upon the weed. When he smiled, as he did to the children, his teeth were stained from the tobacco smoke. We were fascinated and he seemed to enjoy our interest and speaking to us kindly. He held out his hand for us to take, but no one was game enough to take hold of it. Our attention turned to a dozen boomerangs lying at his feet. Noting this, he picked one up and offered it to us to hold. It was heavy, crescent-shaped, and bore many strange markings which we didn't understand. One horn of the crescent was longer than the other. We handed it back, not knowing what to say to the old man, but not before one game fellow aimed it at the sky, as if to throw it in the air but did not do so and cheerfully laid it on the pile. This caused the old fellow to smile once more, and murmur a song quite incomprehensible to any of us.Our curiosity satisfied we returned to our respective parents. The Show was in progress on the hot, but pleasant day, and once the mornings judging of livestock was completed exhibitors and spectators alike all enjoyed a picnic lunch. The ring events were still in progress, the horses paraded before the judges while officials with their coloured ribbons moved among the throng. Finally, there was a lull. As it was approaching 1pm it was probably time for Member for Wollondilly Mark Morton to open the Show, Dad said.At that moment I observed the old fellow entering the ring and pointed excitedly to draw my father's attention.'Oh, that's old Marvellous,' he said, 'I believe he's going to give us an exhibition of boomerang throwing later. Keep an eye on him for me, I'd like to see it too. They say he is terrific!'My eyes were glued to the old fellow once more, and I noticed people were leaving their seats and gathering in a rough circle around him. I encouraged Dad to come closer with me to see what was going to happen. He agreed and took my hand and we joined perhaps more than a hundred fellows and kids around the old fellow standing on his blanket amid the pile of boomerangs.  I had not realised how tattered the clothing was until I saw Marvellous standing up and I felt sorry for him, saying to my father ‘it is a pity he did not have some nice clothes to wear’. He reminded me that the blackfellows were mostly dressed like that, and that they did not have any clothing at all when the first white men came to Australia. But he felt sure he would be able to buy some after his boomerang-throwing.For my benefit we moved in quite close to the old chap, who had commenced singing a song, and the only word I could understand was 'Marvellous'. He seemed to repeat it so often I thought he must have been singing about himself.Suddenly he bent down to select a boomerang from the collection while he was applauded for the song. He took up a stance on his blanket and cast the boomerang into the air toward the farthest point of the arena. The gyrations of the object were fascinating - it whirled, rose up, came down within inches of the ground, rose up once more and floated like a bird hovering above the crowd to drop on the blanket at his feet! The applause was tumultuous, and coins of all denominations were showered onto his blanket by the crowd. Dad gave me two shillings to put on the blanket, and I was proud to do so.There was another song about Marvellous before two boomerangs were selected from the collection. Standing there Marvellous hurled each of them into the air. For the next fifteen seconds the crowd stood transfixed as the two objects took different trajectories after their propulsion and seemed to vie with each other in the number of circles and convolutions before returning to the blanket within seconds of each other! There was a roar of approval and the crowd around the ringside joined in.Another shower of coins fell with the others on the blanket, more coins than I had ever seen in my whole life, and I was pleased for him, for he would now be able to buy some nice clothes!His exhibition was now over, for the stewards were recalling the entrants into the arena to continue with the judging, and Marvellous would have to move out.I was sad, I would have liked to have seen him throw his boomerangs once more. He probably did the following day, but we would not be there.He packed his boomerangs into his bag and rolled up his blanket and melted into the crowd. My heart went with him, and hoped I would see him another day. It was never to be!Nowra Show 2025 will be held from February 7-8.

When you think of Terry Gallagher, images of sawdust, timber yards, and woodchopping competitions likely spring to mind. But, as it turns out, this man of grit and grit-saws also has a sweet side, literally. These days, Terry is known not only for his contributions to woodchopping but also for his role as the judge of the Kiama Show’s Great Australian Traditional Lamington Competition.Terry’s journey to becoming the lamington king is as layered as the iconic dessert itself. It all began when long-time lamington judge, Rob McKinnon, decided to hang up his apron after decades of service. Faced with the prospect of a lamington-free legacy, Rob turned to Terry with a simple question, “Will you take over as the lamington judge ?”Terry didn’t hesitate. “Yes” he declared, with one condition, the prize money had to reflect the dessert's importance. Gone were the days of $5 prizes, under Terry's reign, the best lamingtons now command a respectable $30, $40, or even $60. It’s a sweet deal for bakers and a testament to Terry’s commitment to elevating the humble lamington.Best in Show. The Lamingtons that got Terry's tick of approval While Terry’s name is synonymous with community involvement, he’s perhaps best known in the Kiama region as the man behind Westbury Holdings. His projects, including saving the historic Kiama Terrace Cottages from demolition, have played a key role in shaping the town’s landscape. As a businessman, Terry’s ethos has always been to balance growth with community values, a philosophy reflected in his passion for supporting local traditions like the Kiama Show for more than 50 years.And what a tradition it is. The lamington is as Australian as Vegemite and as beloved as the Hills Hoist. Originally invented in Queensland over 100 years ago, rumour has it, to save leftover sponge cake from Christmas from going to waste, the dessert combines practicality with indulgence. Fresh sponge cake is dipped in a rich cocoa mixture, rolled in coconut, and, in more recent years, sometimes split and filled with cream or jam. But for Terry, the lamington is about more than just taste, it’s a piece of culinary heritage that deserves to be protected.Terry explained the intracies of cooking lamingtons like his mother used to make to Cr Melinda Lawton“There’s a charm to tradition,” Terry says. “A lamington isn’t meant to look like something from a patisserie. It’s about simplicity, about family recipes like those my mother made in the 1950s and 60s, and memories of kitchens filled with the smell of chocolate and coconut.”That dedication to tradition hasn’t gone unnoticed. From juniors surprising him with better lamingtons than their parents to fierce debates over the “perfect” cocoa mix or the types of coconut that can be used, Terry has seen it all.Judging day is a serious matter for him, and his meticulous approach ensures that only the best lamingtons receive a coveted blue ribbon.“It’s a wonderful tradition,” he says, “and I’m just happy to play a part in keeping it alive.”As Terry enjoys another year of chocolate-dipped deliberation, he can’t help but smile. Whether it’s seeing his great grandchildren awarding prizes for the woodchopping event named after his father, Pat Gallagher, or judging the perfect lamington, his role at the Kiama Show is all about celebrating the best of the community, and a little sweetness never hurt anyone.

The Kiama Show has always celebrated agriculture, community, and entertainment, but its history also holds a mirror to the values of society. Once, it wasn’t just about livestock and baking competitions; the sideshows were full of weird, wonderful, and sometimes shocking attractions.The boxing tent was one of the biggest draws. Men from the crowd would step into the ring to take on professional fighters, with travelling troupes like Jimmy Sharman’s becoming iconic across Australia. It was raw, rowdy entertainment, but the idea of locals throwing punches in front of a crowd now feels like something from another era.Other sideshow acts traded on curiosity and spectacle.Posters for the Kiama Show once promoted “Jolly Nellie,” the “biggest woman in the world at 42 kg,” and “Abdullah Abdul Carim,” a mystic who supposedly made mango trees grow in seconds and boys lay eggs. Posters for the Kiama Show once promoted “Jolly Nellie,” the “biggest woman in the world at 42 kg," Image Source Kiama on Show Across the country, sideshows featured performers like the bearded lady, the two-headed man, and other so-called “freaks.” While acts like sword swallowers displayed genuine skill, many sideshows exploited physical difference, showcasing people as curiosities rather than celebrating them as individuals.How clever was Abdullah the Wizard ? What a feat making boys lay eggs!!!!! Image Source Kiama on Show Today, these attractions seem politically incorrect, but they also reveal how far we’ve come. Modern shows prioritise inclusivity and education, valuing diversity over shock value. Yet, the past isn’t without nuance. For many performers, sideshows were a way to make a living and find community in a world that otherwise rejected them.Figures like the famous bearded lady Josephine Boisdechene found success on their own terms, despite the exploitative nature of the industry.The boxing tent and sideshows are long gone, but the show’s role as a community hub remains.While the attractions have changed, the spirit of wonder and shared experience continues.Reflecting on these quirky parts of history reminds us of both how society has evolved and the resilience of those who performed in these shows. Today, the Kiama Show is a celebration of the best in all of us, quirks included.

The 177th Kiama Show, one of the oldest in the nation and the fifth oldest in NSW, kicks off today after thousands of hours of work behind the scenes from community volunteers.“Everyone has been doing long days in the week leading up to the show to make sure everything runs smoothly,” says Kiama Show Society president Guy Stearn. “Thousands of hours of unpaid work goes into setting up agricultural shows and everyone who is a part of it is so passionate and should be congratulated.Motorcycling at the 2024 Kiama Show. Source: Brian Scott.The Kiama Show will feature 1700 pavilion categories and competitions in beef and dairy cattle, horses, showjumping, woodchopping and the always popular pet show. But one of the things Mr Stearn is most proud of is the Local and Homegrown Hub, a space where the community can connect and engage with local farmers and local businesses.“The Homegrown Hub educates visitors on various elements of local agricultural and horticultural activities and their connected products,” says Mr Stearn. “For many it’s the first experience they have of a working farm. A couple of great examples are Pines Dairy, recently hosting Regenerative Farming workshops giving people a better understanding of an agricultural practice leading to the production of cheese and gelato and Butchers Nook and their agricultural connections leading to high quality meat.”The future of woodchopping at the Kiama Show 2024. Source: Brian Scott.If this sounds like a step back in time it is, honouring not only the farming practices used by Kiama’s early settlers but also the ethos behind agricultural shows.The first Kiama Agricultural Show was held 1849 in the Fitzroy Inn brewery in Collins Street, a building long enough to display the produce grown by local farmers. There were just 18 houses, two stores, two inns, a church and a jetty in the township and the Agricultural Show was a way to connect the community so farmers could workshop better ways to farm the newly settled land. Each year - except for those between 1858 and 1867 due to a cattle disease - local farmers proudly displayed their crops and produce, which included vineyard grapes cheese, ham, bacon, and of course the giant vegetables, which have become a show society stalwart. “We are so excited to be able to connect and engage the community with agriculture,” says Mr Stearn. Show jumping at the Kiama Show 2024. Source: Brian Scott.Kiama is one of 580 agricultural shows held nationwide. Upcoming nearby Agricultural Shows include Berry Show, from January 31 to February 1; Nowra Show on February 7-8; Kangaroo Valley Show on February 14-15, Goulburn Show March 1-2, Milton Show March 7-9, Robertson Show March 14-15 with Dapto Show on September 25.

The first day of judging at the Kiama Show Pavilion is a whirlwind of excitement, creativity, and camaraderie. With arguably the most impressive show pavilion in Australia, the exhibits are nothing short of breathtaking.It’s a kaleidoscope of community talent, from the meticulously iced cakes and vibrant floral arrangements to the spellbinding creations in the Kia Bald section and the dazzling displays of local art and crafts.Our local ladies of note featured very prominately in the Kia-Bald. Can you pick the Judge's Choice? Dont forget to enter the People's Choice when you visit the exhibition. The Pavilion feels alive, humming with energy as volunteers and competitors, aged from five to ninety, work side by side to make sure every detail is perfect.The talent of the young people in our community is extraordinary Small children dart about, proudly carrying their carefully grown vegetables or crayon masterpieces, while seasoned veterans arrange their exhibits with the precision of a well-oiled machine.It’s a testament to the community spirit of Kiama, where everyone has a role, and everyone plays it to perfection.Arent the cupcakes amazing Behind the scenes, a quiet figure moves through the Pavilion, clipboard in hand. Yes, that’s the Mayor. He’s judging his section incognito, blending into the crowd with a sly smile as he meticulously inspects the entries.The secrecy is important, after all, the competition is fierce, and it’s essential to protect the judges from any “constructive feedback.” But then there’s the Lamington judge, who has no intention of flying under the radar. Standing proudly by his table, he’s already fielding questions about his selections with the confidence of someone who has tasted his fair share of sponge and coconut.“Look,” he says, with the authority of a man who knows his way around a mixing bowl, “nobody makes lamingtons like my mum used to in the ’60s, but these are the closest I’ve ever tasted.” His nostalgic nod to the era of homemade baking earns him a few chuckles and nods of agreement from onlookers.I was fascinated by the judging of the lamington section. Entrants are charged with meeting the expertise of Terry Gallagher's mother and Terry takes his role as judge very seriously explaining the intracies of the perfect lamington to Cr Melinda Lawton The Pavilion is not just a display of talent; it’s a vibrant showcase of community life. Everywhere you turn, there’s a story to be told, a smile to be shared, or a moment of awe at the sheer skill on display. By the time the day ends, the Pavilion is ready for the grand opening, a treasure trove of effort, passion, and friendly competition. It’s the heart and soul of the Kiama Show, and it never fails to leave you in awe.

In business and not-for-profit organisations, assumptions can often lead to misunderstandings. This week’s Kiama Council meeting, held at the Gerringong Town Hall, offered a prime example of how changes in personnel and management structures can disrupt long-standing relationships and create unnecessary frustrations. The debate centred on the Kiama Show Society’s surprise at receiving a $10,520 invoice for the hire of the Pavilion. Historically, the Show Society had never been charged for its use, with in-kind support from the council forming part of an agreement spanning over 90 years. However, recent changes in council management had moved responsibility for the Showground Pavilion under the tourism division, where staff were unfamiliar with this legacy. Sandy Rendel, speaking on behalf of the Show Society, highlighted the key issue: “The fact that we’ve had an agreement relating to the use of the pavilion going back for 90 years is not something that someone who started with council a year ago would automatically know. It’s unfair to expect them to have that knowledge without us explaining it.” This situation is not unique to local government. Whether in business or not-for-profits, the loss of corporate knowledge due to restructuring, retirements, or staff turnover can lead to inefficiencies and strained relationships. Institutional memory is a valuable but fragile resource. As Rendel noted, “When I joined the Show Society in 1980, there was shared knowledge and experience across both the council and the committee. Today, that has changed.” To address this, organisations must actively document their agreements, processes, and historical practices to ensure new staff and management understand the context of their decisions and relationships. Without such documentation, valuable insights and traditions can be lost over time. Changes in management structures and methodologies are inevitable. Rather than reacting negatively to these shifts, organisations should focus on educating new stakeholders about the value and nuances of existing relationships. “It’s just a matter of communication,” Rendel explained. “We need to explain how the relationship works and why it matters.” Clear communication bridges gaps and ensures transitions in leadership or structure do not disrupt organisational goals. The relationship between the Show Society and the council has historically been built on mutual respect. However, rebuilding that connection now requires intentional effort. As Rendel observed, “It’s time to tuck the tourism division tightly under our wing, bring them to the show, and show them the cultural and community significance of this event.” Proactively engaging with new stakeholders strengthens ties and fosters a shared understanding of the event’s broader importance. The Kiama Pavilion, built as a multi-purpose community space, has always been integral to the show. While the council now focuses on generating revenue from the pavilion, Rendel noted the importance of balancing commercial goals with the facility’s primary purpose as a community asset: “It’s good that it can pay for itself, but that was never its primary purpose.” Recognising the pavilion’s cultural significance ensures that it remains a vital part of the community while supporting broader financial objectives. This story serves as a reminder for all organisations: long-standing relationships, however robust, are not immune to the impact of change. As Rendel reflected, “We can never take people for granted.” Whether managing a small business or a major not-for-profit, documenting history, communicating proactively, and adapting to change are essential for maintaining continuity and building sustainable relationships.The Kiama Show Society and council ultimately resolved the issue with a fee waiver and a commitment to better communication moving forward. But the broader lesson is clear: in a world of constant change, relationships must be nurtured with the same care as the events and communities they support.

In the heart of Kiama’s vibrant community, Bob and Annette Young shine as a testament to commitment, community, and love. Bob, who will be 90 later this year , and Annette, in her 80s, have dedicated decades of service to Kiama Show, creating a family legacy that stretches across generations.“It’s been at least 55 years, probably longer,” Annette shared, with Bob nodding in agreement. Their involvement began with small roles, but their contributions have grown immensely over the years. Annette started as a stewardess in the pavilion and now runs the Pet Show, as well as being assistant secretary, ensuring everything runs smoothly behind the scenes.Bob’s enduring legacy includes years spent managing the plant section in the pavilion, where his knowledge and care left an indelible mark. His kindness also shone through as he lent a helping hand to fellow exhibitors, even transporting flowers for those struggling with allergies. “He was always there to make life a little easier for exhibitors ” one admirer recalled warmly.For many years, Bob also ran the pet show, taking over from previous organisers before eventually passing the reins to Annette and their son, David, when his eyesight began to decline. The ageless Annette Young Chief Steward of the Kiama Pet Show The tradition has since extended to their grandchildren, making it a truly intergenerational affair. “It’s a real family thing now,” Annette said, her pride evident.Annette’s roots may not have been in farming, her father was a surveyor in the mines, but her childhood spent on her uncles’ dairy farms instilled a deep appreciation for rural life. Bob and Annette first met at a dance at Marshall Mount, a hub for young farmers and community events, thanks to a little matchmaking from Annette’s cousin.That chance meeting blossomed into a lifelong partnership, strengthened by shared values and a love for their community.The Youngs have seen the agricultural show evolve, yet its heart remains the same, a celebration of community spirit and shared passions. They’ve also witnessed the seamless continuation of traditions, with figures like Melanie Hart, daughter of former pet show organiser Brenda Waters, stepping in to help.“Seeing the younger generation get involved is wonderful,” Annette said. The couple’s enduring dedication exemplifies the best of what community can be, rooted in shared purpose, love, and a commitment to fostering connections that span generations.

Opinion Piece Despite constant water safety reminders, people continue to push boundaries, even during wild weather or near dangerous surf conditions. This defiance, seen all too often in the Kiama region, raises deeper questions about human psychology and the challenges of protecting people from their own actions.The recent rescue near Kiama's Blowhole, where SES volunteers braved 90 km/h wind gusts and four metre waves to save a woman with a broken leg and her daughter, is a stark example of this phenomenon. Commander John Wall expressed disbelief at seeing individuals deliberately entering high risk areas, emphasising that even seasoned rescuers struggled against the forces of nature.Tragically, our region has seen three water related deaths in recent months. These preventable incidents are not just statistics; they are devastating losses for families, communities, and the responders who bear the emotional toll of each tragedy. Despite public campaigns and visible warning signs, the allure of danger often wins. Why?Psychologists suggest that risk taking behaviours stem from a combination of factors: the thrill of pushing limits, underestimating hazards, and an innate belief that "it won’t happen to me." In some cases, social media amplifies this mindset, encouraging people to capture dramatic footage, as though defying danger will make them immortal, if only in their Instagram feed.But nature does not forgive. For every dramatic photo opportunity or fleeting moment of bravado, there are those who pay the ultimate price. And when disaster strikes, it is our emergency services, our unsung heroes, who shoulder the burden. As they risk their own lives to save others, we must ask: are we doing enough to protect them from unnecessary dangers?Kiama Council, The Bugle, and frontline agencies tirelessly advocate for water safety, from education campaigns to upgraded infrastructure. Yet, there is no fence high enough or sign bold enough to counter human curiosity and hubris.So how do we change the narrative? Perhaps it starts with a cultural shift - celebrating respect for nature rather than dominance over it. Teaching children that the ocean is as beautiful as it is unforgiving and acknowledging that bravery is not crossing barriers but knowing when to stop.The challenge is not just saving people from water; it is saving them from themselves. For those who heed warnings, the beauty of our coastline remains. For those who don’t, the stakes are far too high to ignore.

Bronwyn Jones Local SnapshotOn Australia Day, Trevor Jones, a well known Kiama identity, will celebrate his 96th Birthday.When speaking about the significance of his Australia Day birthday, Trevor prefers to reflect on his father, William Jones, rather than the occasion itself.William and Vera Jones in the 1950's. Source: Bronwyn JonesWilliam was a British soldier during World War I. While serving, he met many Australians and was struck by their easygoing nature as well as their physical size and strength. He often said that if he survived the war, he would finish his apprenticeship as a painter and decorator and then emigrate to Australia. He eventually landed in Melbourne, fulfilling his dream.William himself was small in stature and was very happy to meet a lovely Australian girl, Vera Greenhill. She had brothers who played AFL which meant William’s dream of having some big strong Australian sporting sons could come true.Trevor lawn bowling in 2001. Source: Bronwyn JonesTrevor Jones was born on Australia Day in 1929 in Narrandera, NSW. He was followed by his sister Margaret and a brother named William. With a growing family to support, William moved to the Illawarra region and chose the peaceful village of Jamberoo as their new home.Sons Leslie, Norman, and Russell were born in Jamberoo, and the big family lived there for most of their lives. Their father encouraged them all to play sport, and they excelled in many fields, including cricket, football, and tennis. Margaret, their sister, was a member of the first Jamberoo hockey team in 1948 before going on to play golf.When Trevor married Roslyn, they moved to a dairy farm in Kiama called ‘Silverhill,’ where Cedar Ridge now stands. They had two daughters, Bronwyn and Lisa.Trevor continued to play cricket for Kiama and was made a life member of the Kiama Cricket Club in 1972.At the age of 36, Trevor’s best friend Harold "Googes" Tuohy introduced him to the game of lawn bowls, which would become his lifelong sporting passion. He enjoyed many great wins with friends and family, and his involvement in the Kiama Bowling Club earned him a life membership in 1986.Trevor is especially proud of his brothers' involvement in the game. He had many successful pairs wins with brother Norman in the 1980s, and with brother Leslie in the 1990s, including a notable victory in the South Pacific Pairs in 1995.He also encouraged and coached his wife Roslyn to take up the sport. She went on to win numerous championship titles on the green, as well. Trevor and Roslyn have now been married for 71 years.On this Australia Day, like on all of his birthdays, Trevor feels fortunate to have had a full and fulfilling life. However, he will always prefer to tell the story of his father, William, whose dreams and experiences shaped much of his own life.

Garth Murray and his 8 year old Belgian Malinois assistance dog, Max, strolled into our great town of Kiama on 14 January, marking day 99 of their journey around Australia.With their big trailer packed with essentials and giving them shelter, Garth and Max found Kiama so appealing that they decided to stay for two nights at Kiama’s Big Four Caravan Park - a break from their usual one night rule."The only time I’ve stayed more than one night has been when we needed repairs on the trailer or to catch up with family and friends," says Garth. "This is the first time I’ve taken a day just to look around."Garth says he is quite impressed with Kiama and the wider Illawarra region. "I’d never been to this area before, and I’m blown away by how beautiful it is here. The locals, and some of the people staying at the caravan park, have been incredibly kind. The caravan park even gave me my first night for free, and I’ve had so many people offer me dinner, drinks, and donations for the fundraiser."Garth and Max began their walk on 8 October from Townsville, and since then, they’ve covered over 2,760 km with 13,000 km still ahead of them. They are raising money for Mates4Mates, the Brain Foundation, and Act for Kids, with over $25,000 raised toward their $300,000 goal.“These three charities are very personal to me,” says Garth. “I chose the Brain Foundation because I know several people with brain injuries. Act for Kids is close to my heart because I believe we must protect our children. And Mates4Mates supports veterans, and as a 15 year army veteran myself, this one hits home.”In addition to supporting important causes, Garth is walking for his own mental health and to prove to himself that he can complete such a challenging journey.“Last year, I discovered that hiking with Max was great for my mental health,” says Garth. “I hiked the Kokoda Track without him, but did most of the Larapinta Trail with Max. I also trekked to Everest Base Camp and Annapurna Base Camp in Nepal without Max. “This year, I planned to do walks across Australia to save money, but without an organised tour, I struggled with motivation. Then I saw Captain Australia walking for children's cancer, and I thought, ‘That’s a great idea.’ Just Max and me - it's perfect for my mental health, and I can raise money for charity while I’m at it.”Garth’s journey is made easier by a large trailer that carries their supplies and offers them shelter from the elements. He reflects on a particularly challenging moment early in the trip when he questioned his decision to continue.Monday 13 January: Garth and Max and their trailer. Source: Garth Murray.“There was a point when I was walking from Townsville to Brisbane. The weather was hot, and the trailer felt heavy and I felt like giving up,” says Garth. “But then I saw a sign showing the distance to Brisbane, and it hit me that I was already halfway. That gave me the boost I needed. From that moment on, when doubts crept in, I’d just take a break early and enjoy the scenery instead of stressing about pushing through.”Since that moment, Garth has stopped doubting himself and has stopped putting pressure on completing the walk in a specific timeframe. Now, his focus is on enjoying the journey.“I think it’ll take another 330-350 days to finish, but I’m in no rush,” says Garth. “I’m taking it easy and making the most of the experience.”One of the highlights of his journey has been the generosity of strangers.“The kindness of people has really surprised me. I didn’t expect anything like this,” Garth says. “I’ve had people stop who didn’t even know what I was doing, but saw me struggling with the trailer in the heat and offered cold water or sports drinks. One lady, a cleaner, passed me several times during the day while going between jobs. She stopped at a shop and brought me a care package with drinks, snacks, and dog treats for Max.”Bad weather caused Garth to extend his stay in Kiama longer than planned. He camped in a tunnel near Kendalls Cemetery for one night and then took shelter in an underground parking lot beneath an apartment complex for two nights.You can follow Garth and Max’s journey on Facebook and support them by donating to their challenge through this website: Challenge | Garth & Max’s Australia Lap.

The Minns government’s latest proposal to tackle New South Wales’ housing crisis aims to fast-track the construction of affordable homes and address restrictive planning regulations. While this is a welcome step forward, its success will depend on how effectively local councils, including Kiama, adapt to address their unique challenges.Kiama’s natural beauty and coastal charm have made it one of the most sought-after places to live, but its popularity has also contributed to a growing housing affordability issue. With skyrocketing property prices, plummeting rental availability, and short-term holiday rentals removing stock from the market, the community is at a crossroads. Essential workers, young families, and long-time residents are all grappling with the pressures of an increasingly exclusive housing market.Kiama’s housing challenges didn’t appear overnight. Decades of cautious planning decisions, restrictive zoning, and community resistance to medium density developments have created an undersupply of diverse housing. Restrictive zoning often sets minimum land sizes, like 800 square metres, limiting higher-density and potentially more affordable developments. Essential workers, the backbone of Kiama’s community, are often priced out, forced to commute from neighbouring towns, while young families struggle to find smaller, low-maintenance homes near schools and amenities.Short-term holiday rentals exacerbate the issue, removing long-term housing stock and driving up prices. The rental market, already tight, leaves little room for those who need it most, including teachers, nurses, and hospitality staff who sustain the local economy.While the council has worked on strategic property acquisitions, such as the recent $6.3 million Depot relocation project, questions remain about whether these moves adequately address the housing needs of the broader community. The reliance on single family homes and large lot sizes has left little room for innovative, sustainable housing solutions that cater to a variety of needs.Kiama’s planning decisions must reflect the changing demographic and economic realities of the region. Without bold action, the area risks becoming increasingly inaccessible, undermining the diversity and vibrancy that make Kiama special.Kiama is at a crossroads. It can either maintain the status quo, risking an increasingly exclusive community, or embrace change to build a future where everyone has a place to call home. The Minns government’s recent housing initiatives provide a framework, but real change will require local leadership and community support.Let's advocate for balanced regulations that promote efficient land use while preserving the character and needs of our community.Residents, councillors, and stakeholders must work together to create a housing system that reflects Kiama’s values of inclusivity, sustainability, and community spirit.For a deeper dive into the systemic causes of the housing crisis and how state-wide reforms might help, see our analysis: "To Understand the Housing Crisis, You Need to Look Back to Move Forward."

At last night’s Kiama Council meeting, held at the Gerringong Town Hall, councillors spent over 30 minutes debating whether to waive a $10,520 hire fee for the Kiama Pavilion to support the 2025 Kiama Show. The discussion, which highlighted “teething problems” in council processes, delved into policy nuances, the pavilion’s heritage, and the significance of community events.“It’s remarkable that in a council meeting held only once a month, almost a third of the meeting time was spent debating the waiver of a $10,520 hire fee for the Kiama Show,” one observer noted. “While the show is an important community event, the extended discussion underscores a lack of streamlined processes for addressing such matters. Given the pressing challenges faced by the council, this level of debate for what seems like a straightforward decision raises questions about prioritisation and the efficient use of meeting time.”The Kiama Show Society was facing a significant funding shortfall after receiving an unexpected invoice for the pavilion hire. Historically, the society had relied on in kind support from the council for such costs. Councillor Michael Cains strongly supported waiving the fee, stating: "The clue is in the name. It is the pavilion. And the Pavilion is not just some cute nod to history. It is the bedrock of Kiama’s heritage and culture. We have never charged the Show Society venue hire without at least a corresponding amount of funding to go with it, and I don’t propose that we start that precedent tonight."Councillor Melinda Lawton echoed the importance of resolving this issue efficiently and proposed an amendment to the motion: “Can we also put on the record the need for a future meeting to be arranged with the Kiama Show Society to align funding requests and ensure this doesn’t come up again in the near future?”This amendment was included, delegating the CEO Jane Stroud to organise discussions with the Show Society to clarify funding expectations and avoid similar issues.The council ultimately voted unanimously to waive the fee. Councillors acknowledged the importance of the Kiama Show as a community event, which not only celebrates local heritage but also attracts visitors and competitors from across the state.While the decision relieves financial pressure on the Show Society, the lengthy debate raises concerns about the council’s ability to prioritise and streamline its processes.With the Kiama Show set to open this Friday, the resolution ensures the event can proceed without a financial burden, but it also serves as a reminder of the need for efficient governance.

A recent survey conducted by Member for Kiama Gareth Ward has revealed widespread dissatisfaction with the South Coast Rail Line. Of the nearly 1,000 respondents, a staggering 81% expressed dissatisfaction or very dissatisfied with the service.Ward emphasised that the survey results reflect deep-seated issues beyond the current industrial challenges plaguing the rail network. He attributed the discontent to the Minns Labor Government's management of public transport, stating, "These results are a total condemnation... commuters are overwhelmingly not happy with a government that seems obsessed with fixing Sydney problems whilst ignoring regional NSW."Respondents cited concerns about safety, reliability, and consistency of service – fundamental aspects of a modern public transport system. Ward highlighted the government's cancellation of projects like the Toolijooa Passing Loop and the underutilisation of the new intercity fleet as contributing factors to commuter frustration."People are fed up with this government's cuts to investments... which won't deliver a single new seat or service," Ward stated. He also noted the impact of ongoing track work on the line's reliability.Ward plans to present the survey findings to the government and urge the Transport Minister to meet with South Coast commuters. He concluded, "I will continue to stand up and fight for real investments in transport infrastructure that make a real difference and I’ll continue to hold this government to account given their clear lack of action and ignorance about the failings in the system they are responsible for running."

As the summer holidays draw to a close and the first week of February approaches, parents are preparing for the start of the school year. While families are busy organising uniforms, books, and lunchboxes, adults are looking forward to a quieter, more structured routine. For many, back to school means the return of a calm morning coffee at their favourite local cafe, without the crowds of tourists or accompanying children. Kiama streets that have been filled with sounds of laughter and traffic during the school holidays will return to their usual slower pace. Soon it will be time for parents and locals alike to claim back some personal space and time. When school resumes, adults can finally start ticking off those never-ending to-do lists, enjoy peaceful walks and swims, and reconnect with family and friends. Although the start of a new school year is not all about relaxing, as the school routine begins. Packing lunches, getting the kids ready in the morning, helping with homework, and handling all sorts of after-school activities. But, hopefully for many parents and guardians, there will be a few hours during the day where there is a moment to embrace the quiet and spend it on themselves. As February approaches, “back to school” marks a fresh start, not only for children going into a new stage of their education, but also for the parents and guardians reclaiming a bit of balance in their days. 

In a recent interview with Kiama Community Radio’s Bernie Hems, Councillor Matt Brown provided updates on a range of issues affecting the local community, including the long-awaited Bombo staircase, plans for a special entertainment precinct, and parking concerns at Woolworths. The interview highlights Council’s challenges, achievements, and goals, underscoring the importance of transparency and communication in local governance.Bombo staircase nearing completion.The Bombo staircase, a project that has faced delays and public frustration, is finally seeing progress. Cr Brown explained that uneven stair heights, a key compliance issue, had prevented the staircase from receiving an occupation certificate. He reassured listeners that the contractor is rectifying the problem at no additional cost to Council.“Shaving off the big stairs, adding height to the shorter ones, it’s all being fixed,” Cr Brown said. While there is no firm reopening date, the project is on track to deliver a safe and fully functional staircase.A new vision for Kiama’s nightlifeCr Brown also discussed a proposal to designate parts of Kiama as a special entertainment precinct, allowing businesses more flexibility in operating hours and noise regulations. A working group of local businesses, licensed premises, and residents is helping shape the strategy, which aims to reduce red tape and boost the town’s vibrancy.Minister John Graham MLC has shown support for the idea, with Cr Brown emphasising its potential to revive Kiama’s night-time economy. “We’ve heard about the success of these precincts in Sydney and Newtown, and we want that for Kiama,” he said.Parking problems spark debateThe discussion turned to Woolworths’ plans to install a boom gate and introduce a two-hour free parking limit. Cr Brown acknowledged the concerns raised by local workers and business owners about reduced parking availability but noted that Council has not yet been briefed on the proposal.“I got most of my information about this from The Bugle,” Cr Brown admitted, praising the paper as an essential source of local news. When discussing parking turnover issues in Kiama’s town centre, Cr Brown noted, “To keep the shops viable, we need those parking places to turn over. But of course, you can’t have a shopping centre without staff in there - and they need to park somewhere too.”On the Woolworths car park easementCr Brown addressed questions about the easement at the Woolworths car park, explaining its historical and legal context.“I don’t think we own [the parking spots] as such, but we have a right to use a number of them,” he said, referring to spaces designated as public parking places. Cr Brown described the arrangement as an “historical legal compromise,” noting that when the original Woolworths was built, a promise was made to provide parking spaces for public use. This compromise was carried over when the new shopping centre was developed, with signage now indicating which spaces are public parking places. While Cr Brown acknowledged the situation as “a bit of a messy one,” his comments highlighted the ongoing need for clarity and practical solutions around parking in Kiama.Transparency and accountability in focusAddressing concerns about past financial mismanagement, Cr Brown outlined Council’s commitment to improved oversight and sustainability. Service reviews of key Council operations, including waste, tourism, and holiday parks, will guide future reforms.“We’re fixing the problems we inherited and working towards a surplus budget,” he said. He also defended the need for commercial confidentiality in certain matters but called for greater transparency once legal and financial processes are resolved.Commitment to Blue Haven staff and residentsThe transition of Blue Haven’s management to a private provider was another point of contention, particularly regarding the preservation of staff entitlements. Cr Brown stressed Council’s commitment to ensuring fair outcomes for both employees and residents, acknowledging the anxiety caused by the change.“These staff are doing a professional job, and the residents rely on them,” he said. Cr Brown expressed hope that ongoing negotiations with unions and the new owners would resolve the issue.From parking dilemmas to financial reforms, Matt Brown’s conversation with Bernie Hems offers valuable insights into the complex issues shaping Kiama’s future.With The Bugle and Kiama Community Radio continuing to provide reliable coverage, the community remains informed and engaged in these vital discussions. Tune into Bernie Hems show at 9 am on Tuesdays on KCR.

The $172 million acquisition of Cleary Bros (Bombo) Pty Ltd by Maas Group Holdings has raised questions about the future of a key parcel of land providing access to the highway near Bombo Quarry. While the quarry precinct itself remains under the ownership of the Transport Asset Holding Entity (TAHE) and Boral, uncertainty surrounds whether the Cleary Bros land, now potentially part of the Maas Group acquisition, was included in the sale.The Bombo Quarry Precinct. The land owned by Cleary Bros is marked by the red star TAHE and Boral, the landowners of the Bombo Quarry precinct, are planning for its long-term future through a draft Master Plan, described as a once-in-a-generation opportunity to create a sustainable and vibrant community. The vision for the precinct includes diverse housing, job opportunities, and public spaces to support Kiama’s growth once quarry operations conclude.The vision for the precinct includes diverse housing, job opportunities, and public spaces to support Kiama’s growth once quarry operations conclude.Urbis, the consultancy engaged to oversee community consultation and planning for the precinct, is ensuring community feedback is integrated into the draft Master Plan. The plan aligns with the Kiama Housing Strategy and the Illawarra-Shoalhaven Regional Plan 2041, addressing challenges like housing affordability while preserving the site’s unique coastal character.The Bugle sought clarification from Urbis regarding the status of the Cleary Bros land.In response, Urbis stated: “Urbis has been engaged by the Transport Asset Manager New South Wales (TAM) and Boral to manage enquiries about the Bombo Quarry Precinct. We do not have information on adjoining landholders' intentions for their land, so are unable to assist with your enquiry.”The Bugle has now approached Maas Group for clarification on whether the parcel of land was included in their acquisition of Cleary Bros.According to Kiama Council, the Cleary Bros parcel, now potentially under Maas Group ownership, does not control direct access to the quarry. A council spokesperson explained: “Council continues to work with the landowners and NSW Government as part of finalising the Kiama Housing Strategy and via the Illawarra-Shoalhaven Regional Plan Monitoring Committee. While the Cleary Bros land forms part of the Bombo Quarry precinct, it does not control access to the quarry. The TAHE components of the quarry have direct access to Quarryman Road, while the Boral components gain access over the unformed Panama Street.”The future of the Bombo Quarry precinct hinges on the draft Master Plan and its phased redevelopment, which will balance housing and economic opportunities with the preservation of the site’s character. However, the inclusion of the Cleary Bros land in the Maas Group acquisition could influence rezoning and development opportunities near the highway.The Bugle will continue to monitor this story and provide updates as further information becomes available.

After nearly three years of meticulous restoration, the iconic MV SIGNA is finally ready to set sail again. The crew will embark on the vessel’s first voyage since the restoration, leaving Kiama on Wednesday, 22 January 2025, at 6 AM. The restoration of the MV SIGNA began when it was lifted out of Kiama Harbour on 17 July 2022. The vessel was re-launched into the water on 8 May 2024, though some work remained before it was truly seaworthy. Now, after nearly three years of dedicated effort, the boat is ready to return to the open seas, thanks to the hard work of the restoration crew.The restored MV SignaLed by Don, Rookie, Smokey, Rex, and John, the crew not only worked tirelessly to restore the SIGNA but will also sail it to Hobart, where it has been selected for a prime spot at Constitution Dock - a coveted location chosen from 400 applicants.The Australian Wooden Boat Festival, held annually in Hobart, is one of the most celebrated events in the maritime community, and the SIGNA’s selection for Constitution Dock is a significant honour.For the crew, the voyage represents the culmination of years of hard work and a deep personal connection to the vessel. It’s a proud moment, not only for them but for the entire Kiama community, which has supported the restoration effort from the very beginning.In a post on Facebook, John Hansen’s wife Sandra thanked the Kiama community for all of their support. John told the Bugle, "We have had so many people in the community come down to have a look at the boat after seeing the articles in The Bugle Newspaper. It has been overwhelming!"The crew had initially set a goal to raise $10,000 to fund the voyage but are still a bit short of their target. If you’d like to contribute, you can make a last-minute donation by calling The Bugle at 0412 415 101 during business hours (9 AM - 5 PM, Monday to Friday).The Bugle would like to extend our warmest congratulations to the crew of the MV SIGNA. We wish them smooth sailing as they make their way to Tasmania and look forward to seeing the vessel shine at the festival and catch up with our reporter in Hobart, Steven White. The Bugle will be publishing updates regularly online as they traverse the ocean.