If you were lucky enough to secure a ticket to Opera in the Valley at the Jamberoo School of Arts on Saturday, you already know what a wonderful night of music and laughter it was.

If not, you have 11 months to make sure you don’t miss out on next year’s performance, set for 7 November 2026.

This was my third year attending, and each time I’m struck by the seamless precision and warm hospitality of the Jamberoo CWA team.

Like a well-oiled machine, they deliver an evening that runs effortlessly - from the supper spread to the smiling service.

The audience, mostly loyal locals, treat this as a highlight of the year. I had the pleasure of sitting beside Vic and Lesley East, devoted supporters who always dress to the nines for the occasion.

At the heart of it all is maestro Glenn Amer, the genial curator of the evening, who not only selects and accompanies the performers on the grand piano - with characteristic flair - but also entertains with his wit and warmth.

Returning tenor Matthew Reardon could hardly contain his joy. His radiant smile and soaring voice filled the hall, and it was clear how much he relishes bringing world-class opera to regional audiences.

Baritone Ian Warwick, another returning favourite, combined his rich, melodious tone with expressive acting and a cheeky sense of humour that had the crowd laughing between arias.

Newcomers (to Jamberoo) Tessa Hayward and Russell Harcourt captivated the audience.

Hayward’s powerful soprano rang out with effortless clarity, while Harcourt astonished with his countertenor range - hitting impossibly high notes with elegance and precision.

Countertenors, though rare, bring a distinctive beauty and expressive power to opera.

Amer’s programming playfully leaned into this tradition, reversing roles so that a man sang a part historically written for a woman portraying a man - a clever comic twist that delighted the crowd.

A standout feature this year was Amer’s decision to stage the first half as a complete story: Mozart’s Lo Sposo Deluso (The Deluded Bridegroom).

The singers clearly enjoyed the chance to act as well as sing, giving the performance a lively theatrical dimension.

After the interval - complete with the customary wine and cheese - the audience was treated to Amer’s exuberant piano interlude, followed by solo and duet performances spanning opera and musical theatre, from Brigadoon to South Pacific.

Full credit goes to Cathy Delhaas, who has led the organising committee for 15 years, ably assisted by Jenny Judd, Sue Good, and the ever-capable CWA team.

New CWA president Vivienne Marris spoke on the night, joined by former Kiama mayor Neil Reilly, both acknowledging the dedication behind this beloved community event.

It was, once again, a night to remember - a perfect blend of world-class music, the spirit of Jamberoo’s community and country charm.

Roll on Opera in the Valley 2026!